The building in this painting is thought to be Longacres, but there is still some doubt. She signed this "E. Goodenough '35." From the green seen in the painting, it can be assumed that this was done in spring or summer of 1935. Eleanor was married in September 1935; thus, it would be logical that she would paint Longacres and not her married home. However, the building and the landscape in this painting bear resemblance both to Longacres and to her married home. Therein lies the doubt.

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